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Paul OuterbridgeWoman with Turqoise Dress, Laguna Beach, CaliforniaArchival pigment print, printed later33 × 22.9 cm -
Paul OuterbridgeHotel Lobby, Mazatlán, MéxicoArchival pigment print, printed later22.9 × 33 cm -
Bill JacobsonSong of Myself #110, 2025Pigment print mounted on museum board35 x 23 1/4 in. / 88.9 x 59.1 cmEdition of 7 -
Paul OuterbridgeGas Station, Mazatlán, México, ca. 1950Archival pigment print, printed later22.9 × 33 cm -
Paul OuterbridgeCarnival Carriage, México, ca. 1950Archival pigment print, printed later22.9 × 33 cm -
Paul OuterbridgeHigh Drive, Laguna Beach, California, ca. 1952Archival pigment print, printed later22.9 × 33 cm -
Paul OuterbridgeWoman with Blue Dress and Pendant Necklace, Laguna Beach, California, ca. 1952Archival pigment print, printed later33 × 22.9 cm -
Paul OuterbridgeSelf Portrait, Santa Monica, California, ca. 1955Archival pigment print, printed later22.9 × 33 cm -
E.O. HoppéLady Hazel Lavery, 1916Posthumous platinum palladium print9 7/8 x 7 5/8 in. / 25 x 19.5 cm.Edition of 10 -
E.O. HoppéFeeding the Birds in Winter, St. James' Park, London, 1919Posthumous platinum palladium print18.5 x 20 cm.Edition of 10 -
E.O. HoppéHubert Stowitts, 1920Vintage gelatin silver print9 1/2 x 5 in. / 24.1 x 12.7 cm -
E.O. HoppéLéonide Massine in "Pulcinella", 1920Posthumous platinum palladium printEdition of 10 -
E.O. HoppéBuilding, New York, New York, 1921Gelatin silver print11 x 8 5/8 in
27.9 x 21.9 cm -
Paul OuterbridgeGlass and Fan, 1921Platinum print4 3/4 x 3 5/8 in
12.1 x 9.2 cm -
E.O. HoppéNew York skyscraper (negative), 1921Gelatin silver print11 x 8 in
27.9 x 20.3 cm -
Paul OuterbridgeCollar, Tie and Pin, 1922Platinum print5 5/8 x 4 1/4 in
14.3 x 10.8 cm -
E.O. HoppéHands, 1922Posthumous platinum palladium print25 x 19 cm.Edition of 10 -
E.O. HoppéMen Playing Cards (Advertising study), 1922Posthumous platinum palladium print18 x 24 cm.Edition of 10 -
E.O. HoppéStephen Tennant, 1922Posthumous platinum palladium print24.6 x 18.2 cm.Edition of 10 -
E.O. HoppéGluck, 1924Vintage gelatin silver print8 x 6 in. / 20.3 x 15.2 cm. -
E.O. HoppéSeaford Cliffs, East Sussex, England, 1925Posthumous platinum palladium print9 7/8 x 7 1/8 in. / 25 x 18 cmEdition of 10 -
E.O. HoppéThree Graces, Garden of the Gods, Colorado Springs, Colorado, USA, 1926Posthumous platinum palladium print9 7/8 x 7 1/8 in. / 25 x 18 cm.Edition of 10 -
E.O. HoppéTrees, Castletown Cox, near Carrick-on-Suir, County Kilkenny, Ireland, 1926Posthumous platinum palladium print7 1/8 x 9 7/8 in. / 18 x 25 cm.Edition of 10 -
E.O. HoppéView along the chalk cliffs near the Needles, Isle of Wight, England, 1926Posthumous platinum palladium print7 1/8 x 9 7/8 in. / 18 x 25 cm.Edition of 10 -
E.O. HoppéRenée Sentenis , 19272 vintage contact prints5 x 4 in. / 40 x 30 cm. framed -
E.O. HoppéPainting the Propeller, Swan Hunter & Wigham Richardson Shiptard, Tyneside, London, 1928Vintage gelatin silver print -
E.O. HoppéTilly Losch, 1928Vintage gelatin silver print7 x 6 in. / 17.8 x 15.2 cm -
E.O. HoppéCourtyard, Green Hotel, Bombay, India, 1929Posthumous platinum palladium print16.5 x 25.5 cm.Edition of 10 -
E.O. HoppéElectric Globes, UFA Film Studios, Berlin, 1929Vintage gelatin silver print7 1/8 x 9 7/8 in. / 18 x 25 cm. -
E.O. HoppéUmbrella Tree, Nilgiris, India, 1929Posthumous platinum palladium print7 1/8 x 9 7/8 in. / 18 x 25 cm.Edition of 10 -
E.O. HoppéView Towards Westminster, 1929Posthumous platinum palladium print18.5 x 25 cm.Edition of 10 -
E.O. HoppéCape Defiance, Franz Josef Glacier/Kā Roimata o Hine Hukatere, Westland, South Island, New Zealand, 1930Posthumous platinum palladium print7 1/8 x 9 7/8 in. / 18 x 25 cm.Edition of 10 -
E.O. HoppéEarly Morning, Lefroy Brook, Pemberton, Western Australia, 1930Posthumous platinum palladium print7 1/8 x 9 7/8 in. / 18 x 25 cmEdition of 10 -
E.O. HoppéGovetts Leap, Blue Mountains, New South Wales, Austrailia, 1930Posthumous platinum palladium print17 x 25 cm.Edition of 10 -
E.O. HoppéMount Buffalo Range, Victoria, Australia, 1930Posthumous platinum palladium print9 7/8 x 7 1/8 in. / 25 x 18 cm.Edition of 10 -
E.O. HoppéLoch Arklet, looking west toward the Arrochar Alps, Scotland, 1934Posthumous platinum palladium printEdition of 10 -
E.O. HoppéNude Study, 1934Posthumous platinum palladium print16.7 x 25 cm.Edition of 10 -
Paul OuterbridgeKandinsky, 1935Archival pigment print, printed later50.8 x 40.6cm -
Paul OuterbridgePersephone, 1936Archival pigment print, printed later40.6 x 50.8 cm -
E.O. HoppéWatussi Boy, Nyanza, Rwanda, Africa, 1937Posthumous platinum palladium print25 x 16.5 cm.Edition of 10 -
E.O. HoppéYoung Man, Tory Island, Ireland, 1937Posthumous platinum palladium print21 x 20.2 cm.Edition of 10 -
E.O. HoppéExperiment with Sheets of Glass II, 1949Vintage gelatin-silver print11 5/8 x 7 1/4 in. / 29.48 x 18.27 cm. -
E.O. HoppéGlass sheet abstract, circles and squares II, 1949Vintage gelatin silver print3 5/8 x 3 1/2 in. / 9.1 x 9 cm. -
E.O. HoppéTurbulence - Experiment with sheets of glass and mirrors, 1949vintage gelatin silver print11 x 7 in. / 27.9 x 17.8 cm -
Bill JacobsonSong of Sentient Beings #1530, 1995Gelatin silver print36 x 28 in. / 91.4 x 71.1 cm.Edition of 5 -
Vee SpeersBaby Diamond I, 1997Analogue c-print26 3/4 x 37 in. / 68 x 94 cm.Edition of 8 + 2 AP -
Vee SpeersBaby Diamond II, 1997Analogue c-print37 x 26 3/4 in. / 94 x 68 cm.Edition of 8 + 2 AP -
Vee SpeersBaby Diamond III, 1997Analogue c-print
48 7/8 x 14 5/8 in. / 124 x 37 cm.Edition of 8 + 2 AP -
Vee SpeersBaby Diamond IV, 1997Analogue c-print
52 3/4 x 11 3/4 in. / 134 x 30 cm.Edition of 8 + 2 AP -
Vee SpeersBaby Diamond V, 1997Analogue c-print
37 x 26 3/4 in. / 94 x 68 cm.From an edition of 8 + 2 AP -
Vee SpeersBaby Diamond VI, 1997Analogue c-print
48 7/8 x 14 5/8 in. / 124 x 37 cm.From an edition of 8 + 2 AP -
Bill JacobsonThought (Series) #2336, 1997Gelatin silver print24 x 20 in. / 61 x 50.8 cm.Edition of 9 -
Bill JacobsonNew Year's Day #4561, 2002Chromogenic print mounted on museum board36 x 30 in. / 91.4 x 76.2 cm.Edition of 7 -
Bill JacobsonNew Year's Day #4550, 2003Chromogenic print mounted on museum board23 x 20 in. / 58.4 x 50.8 cm.Edition of 9 -
Bill JacobsonNew Year's Day #5074, 2003Chromogenic print mounted on museum board36 x 30 in. / 91.4 x 76.2 cm.Edition of 7 -
Bill JacobsonPlace (Series) #1, 2009Pigment print mounted on museum board28 x 22 in. / 71.1 x 55.9 cm.Edition of 7 -
Lucas LefflerMudprint 01, 2018-22Gelatin silver print made from organic fibres (mud) with hand-made steel-frame and museum glass100x70 cm.From an edition of 3 + 1 AP -
Lucas LefflerMudprint 05, 2018-22Gelatin silver print made from organic fibres (mud) with hand-made steel-frame and museum glass100x70 cm.From an edition of 3 + 1AP -
Lucas LefflerMudprint 12, 2018-22Gelatin silver print made from organic fibres (mud) in hand-made steel-frame and museum glass100 x 70 cm.From an edition of 3 + 1 AP -
Lucas LefflerMudprint 06, 2019Gelatin silver print made from organic fibres (mud) with hand-made steel-frame and museum glass27 1/2 x 39 3/8 in.
70 x 100 cm.Edition of 3 + 2 AP -
Bill Jacobsonwhen is a place #269, 2019Gelatin silver print mounted on museum board20 x 16 in. / 50.8 x 40.6 cm.Edition of 7 -
Jess T. DuganEarly morning light, Boston, 2020Archival pigment print30 x 40 in. / 76 x 101 cm.Edition of 5 + 2AP -
Lucas LefflerMudprint 14, 2021Gelatin silver print made from organic fibres (mud) in hand-made steel-frame and museum glass27 1/2 x 39 3/8 in.
70 x 100 cm.From an edition of 3 + 1 AP -
Bill JacobsonSong of Myself #1831, 2023Pigment print mounted on museum board26 x 20 3/4 in. / 66 x 52.7 cm.Edition of 7 -
Aindreas ScholzThe Most Beautiful Anthropocene #09, 2023Cyanolumen (sunlight and acidic rain) on expired RC darkroom paper with plant fragments8 x 10 in. / 20.32 x 25.4 cm. -
Aindreas ScholzThe Most Beautiful Anthropocene #40, 2023Cyanolumen (sunlight and acidic rain) and bioresin on expired RC darkroom paper with plant fragments5 x 7 in. / 12.7 x 17.8 cm. -
Carly RiesArch, 2024Archival pigment print12 x 18 in. / 30.5 x 45.7 cm.Edition of 5 + 2 AP -
Carly RiesHover, 2024Archival pigment print22 x 30 inchesEdition of 5 + 2 AP -
Carly RiesOcelli, 2024Archival pigment print
10 x 14 in. / 25.4 x 35.6 cm.Edition of 5 + 2 AP -
Carly RiesOdalisque, 2024Archival pigment print
22 x 30 in. / 55.9 x 76.2 cm.Edition of 5 + 2 AP -
Carly RiesReclining Nudes, 2024Archival pigment print
10 x 14 in. / 25.4 x 35.6 cm.Edition of 5 + 2 AP -
Bill JacobsonSong of Myself #808, 2024Pigment print mounted on museum board23 1/4 x 29 in. / 59.1 x 73.7 cm.Edition of 7 -
Aindreas ScholzThe Most Beautiful Anthropocene #16, 2024Cyanolumen (sunlight and polluted seawater) and bioresin on expired RC darkroom paper with plant fragments8 x 10 in. / 20.32 x 25.4 cm. -
Aindreas ScholzThe Most Beautiful Anthropocene #21, 2024Cyanolumen (sunlight and polluted seawater) and bioresin on expired RC darkroom paper with plant fragments8 x 10 in. / 20.32 x 25.4 cm. -
Aindreas ScholzThe Most Beautiful Anthropocene #51, 2024Cyanolumen (sunlight and polluted seawater) on expired RC darkroom paper with plant fragments16 1/8 x 12 in. / 41 x 30.5 cm. -
Carly RiesCamerabody (011225), 2025Analog C-Print
11 x 6 in. / 27.9 x 15.2 cm. -
Carly RiesCamerabody (012225a), 2025Analog C-Print
11 x 14 in. / 27.9 x 35.6 cm. -
Lucas LefflerMudprint 11, 2025Gelatin silver print made from organic fibres (mud) in hand-made steel-frame and museum glass40 x 60 cm.
15 3/4 x 23 5/8 in.Edition of 4 + 1 AP -
Lucas LefflerMudprint 2, 2025Gelatin silver print made from organic fibres (mud) in hand-made steel-frame and museum glass40 x 60 cm.
15 3/4 x 23 5/8 in.Edition of 4 + 1 AP -
Lucas LefflerMudprint 21, 2025Gelatin silver print made from organic fibres (mud) in hand-made steel-frame and museum glass40 x 60 cm.
15 3/4 x 23 5/8 in.Edition of 4 + 1 AP
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