Artworks

  • Paul Outerbridge, Woman with Turqoise Dress, Laguna Beach, California
    Paul Outerbridge
    Woman with Turqoise Dress, Laguna Beach, California
    Archival pigment print, printed later
    33 × 22.9 cm
  • Paul Outerbridge, Hotel Lobby, Mazatlán, México
    Paul Outerbridge
    Hotel Lobby, Mazatlán, México
    Archival pigment print, printed later
    22.9 × 33 cm
  • Bill Jacobson, Song of Myself #110, 2025
    Bill Jacobson
    Song of Myself #110, 2025
    Pigment print mounted on museum board
    35 x 23 1/4 in. / 88.9 x 59.1 cm
    Edition of 7
  • Paul Outerbridge, Gas Station, Mazatlán, México, ca. 1950
    Paul Outerbridge
    Gas Station, Mazatlán, México, ca. 1950
    Archival pigment print, printed later
    22.9 × 33 cm
  • Paul Outerbridge, Carnival Carriage, México, ca. 1950
    Paul Outerbridge
    Carnival Carriage, México, ca. 1950
    Archival pigment print, printed later
    22.9 × 33 cm
  • Paul Outerbridge, High Drive, Laguna Beach, California, ca. 1952
    Paul Outerbridge
    High Drive, Laguna Beach, California, ca. 1952
    Archival pigment print, printed later
    22.9 × 33 cm
  • Paul Outerbridge, Woman with Blue Dress and Pendant Necklace, Laguna Beach, California, ca. 1952
    Paul Outerbridge
    Woman with Blue Dress and Pendant Necklace, Laguna Beach, California, ca. 1952
    Archival pigment print, printed later
    33 × 22.9 cm
  • Paul Outerbridge, Self Portrait, Santa Monica, California, ca. 1955
    Paul Outerbridge
    Self Portrait, Santa Monica, California, ca. 1955
    Archival pigment print, printed later
    22.9 × 33 cm
  • E.O. Hoppé, Lady Hazel Lavery, 1916
    E.O. Hoppé
    Lady Hazel Lavery, 1916
    Posthumous platinum palladium print
    9 7/8 x 7 5/8 in. / 25 x 19.5 cm.
    Edition of 10
  • E.O. Hoppé, Feeding the Birds in Winter, St. James' Park, London, 1919
    E.O. Hoppé
    Feeding the Birds in Winter, St. James' Park, London, 1919
    Posthumous platinum palladium print
    18.5 x 20 cm.
    Edition of 10
  • E.O. Hoppé, Hubert Stowitts, 1920
    E.O. Hoppé
    Hubert Stowitts, 1920
    Vintage gelatin silver print
    9 1/2 x 5 in. / 24.1 x 12.7 cm
  • E.O. Hoppé, Léonide Massine in "Pulcinella", 1920
    E.O. Hoppé
    Léonide Massine in "Pulcinella", 1920
    Posthumous platinum palladium print
    Edition of 10
  • E.O. Hoppé, Building, New York, New York, 1921
    E.O. Hoppé
    Building, New York, New York, 1921
    Gelatin silver print
    11 x 8 5/8 in
    27.9 x 21.9 cm
  • Paul Outerbridge, Glass and Fan, 1921
    Paul Outerbridge
    Glass and Fan, 1921
    Platinum print
    4 3/4 x 3 5/8 in
    12.1 x 9.2 cm
  • E.O. Hoppé, New York skyscraper (negative), 1921
    E.O. Hoppé
    New York skyscraper (negative), 1921
    Gelatin silver print
    11 x 8 in
    27.9 x 20.3 cm
  • Paul Outerbridge, Collar, Tie and Pin, 1922
    Paul Outerbridge
    Collar, Tie and Pin, 1922
    Platinum print
    5 5/8 x 4 1/4 in
    14.3 x 10.8 cm
  • E.O. Hoppé, Hands, 1922
    E.O. Hoppé
    Hands, 1922
    Posthumous platinum palladium print
    25 x 19 cm.
    Edition of 10
  • E.O. Hoppé, Men Playing Cards (Advertising study), 1922
    E.O. Hoppé
    Men Playing Cards (Advertising study), 1922
    Posthumous platinum palladium print
    18 x 24 cm.
    Edition of 10
  • E.O. Hoppé, Stephen Tennant, 1922
    E.O. Hoppé
    Stephen Tennant, 1922
    Posthumous platinum palladium print
    24.6 x 18.2 cm.
    Edition of 10
  • E.O. Hoppé, Gluck, 1924
    E.O. Hoppé
    Gluck, 1924
    Vintage gelatin silver print
    8 x 6 in. / 20.3 x 15.2 cm.
  • E.O. Hoppé, Seaford Cliffs, East Sussex, England, 1925
    E.O. Hoppé
    Seaford Cliffs, East Sussex, England, 1925
    Posthumous platinum palladium print
    9 7/8 x 7 1/8 in. / 25 x 18 cm
    Edition of 10
  • E.O. Hoppé, Three Graces, Garden of the Gods, Colorado Springs, Colorado, USA, 1926
    E.O. Hoppé
    Three Graces, Garden of the Gods, Colorado Springs, Colorado, USA, 1926
    Posthumous platinum palladium print
    9 7/8 x 7 1/8 in. / 25 x 18 cm.
    Edition of 10
  • E.O. Hoppé, Trees, Castletown Cox, near Carrick-on-Suir, County Kilkenny, Ireland, 1926
    E.O. Hoppé
    Trees, Castletown Cox, near Carrick-on-Suir, County Kilkenny, Ireland, 1926
    Posthumous platinum palladium print
    7 1/8 x 9 7/8 in. / 18 x 25 cm.
    Edition of 10
  • E.O. Hoppé, View along the chalk cliffs near the Needles, Isle of Wight, England, 1926
    E.O. Hoppé
    View along the chalk cliffs near the Needles, Isle of Wight, England, 1926
    Posthumous platinum palladium print
    7 1/8 x 9 7/8 in. / 18 x 25 cm.
    Edition of 10
  • E.O. Hoppé, Renée Sentenis , 1927
    E.O. Hoppé
    Renée Sentenis , 1927
    2 vintage contact prints
    5 x 4 in. / 40 x 30 cm. framed
  • E.O. Hoppé, Painting the Propeller, Swan Hunter & Wigham Richardson Shiptard, Tyneside, London, 1928
    E.O. Hoppé
    Painting the Propeller, Swan Hunter & Wigham Richardson Shiptard, Tyneside, London, 1928
    Vintage gelatin silver print
  • E.O. Hoppé, Tilly Losch, 1928
    E.O. Hoppé
    Tilly Losch, 1928
    Vintage gelatin silver print
    7 x 6 in. / 17.8 x 15.2 cm
  • E.O. Hoppé, Courtyard, Green Hotel, Bombay, India, 1929
    E.O. Hoppé
    Courtyard, Green Hotel, Bombay, India, 1929
    Posthumous platinum palladium print
    16.5 x 25.5 cm.
    Edition of 10
  • E.O. Hoppé, Electric Globes, UFA Film Studios, Berlin, 1929
    E.O. Hoppé
    Electric Globes, UFA Film Studios, Berlin, 1929
    Vintage gelatin silver print
    7 1/8 x 9 7/8 in. / 18 x 25 cm.
  • E.O. Hoppé, Umbrella Tree, Nilgiris, India, 1929
    E.O. Hoppé
    Umbrella Tree, Nilgiris, India, 1929
    Posthumous platinum palladium print
    7 1/8 x 9 7/8 in. / 18 x 25 cm.
    Edition of 10
  • E.O. Hoppé, View Towards Westminster, 1929
    E.O. Hoppé
    View Towards Westminster, 1929
    Posthumous platinum palladium print
    18.5 x 25 cm.
    Edition of 10
  • E.O. Hoppé, Cape Defiance, Franz Josef Glacier/Kā Roimata o Hine Hukatere, Westland, South Island, New Zealand, 1930
    E.O. Hoppé
    Cape Defiance, Franz Josef Glacier/Kā Roimata o Hine Hukatere, Westland, South Island, New Zealand, 1930
    Posthumous platinum palladium print
    7 1/8 x 9 7/8 in. / 18 x 25 cm.
    Edition of 10
  • E.O. Hoppé, Early Morning, Lefroy Brook, Pemberton, Western Australia, 1930
    E.O. Hoppé
    Early Morning, Lefroy Brook, Pemberton, Western Australia, 1930
    Posthumous platinum palladium print
    7 1/8 x 9 7/8 in. / 18 x 25 cm
    Edition of 10
  • E.O. Hoppé, Govetts Leap, Blue Mountains, New South Wales, Austrailia, 1930
    E.O. Hoppé
    Govetts Leap, Blue Mountains, New South Wales, Austrailia, 1930
    Posthumous platinum palladium print
    17 x 25 cm.
    Edition of 10
  • E.O. Hoppé, Mount Buffalo Range, Victoria, Australia, 1930
    E.O. Hoppé
    Mount Buffalo Range, Victoria, Australia, 1930
    Posthumous platinum palladium print
    9 7/8 x 7 1/8 in. / 25 x 18 cm.
    Edition of 10
  • E.O. Hoppé, Loch Arklet, looking west toward the Arrochar Alps, Scotland, 1934
    E.O. Hoppé
    Loch Arklet, looking west toward the Arrochar Alps, Scotland, 1934
    Posthumous platinum palladium print
    Edition of 10
  • E.O. Hoppé, Nude Study, 1934
    E.O. Hoppé
    Nude Study, 1934
    Posthumous platinum palladium print
    16.7 x 25 cm.
    Edition of 10
  • Paul Outerbridge, Kandinsky, 1935
    Paul Outerbridge
    Kandinsky, 1935
    Archival pigment print, printed later
    50.8 x 40.6cm
  • Paul Outerbridge, Persephone, 1936
    Paul Outerbridge
    Persephone, 1936
    Archival pigment print, printed later
    40.6 x 50.8 cm
  • E.O. Hoppé, Watussi Boy, Nyanza, Rwanda, Africa, 1937
    E.O. Hoppé
    Watussi Boy, Nyanza, Rwanda, Africa, 1937
    Posthumous platinum palladium print
    25 x 16.5 cm.
    Edition of 10
  • E.O. Hoppé, Young Man, Tory Island, Ireland, 1937
    E.O. Hoppé
    Young Man, Tory Island, Ireland, 1937
    Posthumous platinum palladium print
    21 x 20.2 cm.
    Edition of 10
  • E.O. Hoppé, Experiment with Sheets of Glass II, 1949
    E.O. Hoppé
    Experiment with Sheets of Glass II, 1949
    Vintage gelatin-silver print
    11 5/8 x 7 1/4 in. / 29.48 x 18.27 cm.
  • E.O. Hoppé, Glass sheet abstract, circles and squares II, 1949
    E.O. Hoppé
    Glass sheet abstract, circles and squares II, 1949
    Vintage gelatin silver print
    3 5/8 x 3 1/2 in. / 9.1 x 9 cm.
  • E.O. Hoppé, Turbulence - Experiment with sheets of glass and mirrors, 1949
    E.O. Hoppé
    Turbulence - Experiment with sheets of glass and mirrors, 1949
    vintage gelatin silver print
    11 x 7 in. / 27.9 x 17.8 cm
  • Bill Jacobson, Song of Sentient Beings #1530, 1995
    Bill Jacobson
    Song of Sentient Beings #1530, 1995
    Gelatin silver print
    36 x 28 in. / 91.4 x 71.1 cm.
    Edition of 5
  • Vee Speers, Baby Diamond I, 1997
    Vee Speers
    Baby Diamond I, 1997
    Analogue c-print
    26 3/4 x 37 in. / 68 x 94 cm.
    Edition of 8 + 2 AP
  • Vee Speers, Baby Diamond II, 1997
    Vee Speers
    Baby Diamond II, 1997
    Analogue c-print
    37 x 26 3/4 in. / 94 x 68 cm.
    Edition of 8 + 2 AP
  • Vee Speers, Baby Diamond III, 1997
    Vee Speers
    Baby Diamond III, 1997
    Analogue c-print
    48 7/8 x 14 5/8 in. / 124 x 37 cm.
    Edition of 8 + 2 AP
  • Vee Speers, Baby Diamond IV, 1997
    Vee Speers
    Baby Diamond IV, 1997
    Analogue c-print

    52 3/4 x 11 3/4 in. / 134 x 30 cm.
    Edition of 8 + 2 AP
  • Vee Speers, Baby Diamond V, 1997
    Vee Speers
    Baby Diamond V, 1997
    Analogue c-print
    37 x 26 3/4 in. / 94 x 68 cm.
    From an edition of 8 + 2 AP
  • Vee Speers, Baby Diamond VI, 1997
    Vee Speers
    Baby Diamond VI, 1997
    Analogue c-print


    48 7/8 x 14 5/8 in. / 124 x 37 cm.
    From an edition of 8 + 2 AP
  • Bill Jacobson, Thought (Series) #2336, 1997
    Bill Jacobson
    Thought (Series) #2336, 1997
    Gelatin silver print
    24 x 20 in. / 61 x 50.8 cm.
    Edition of 9
  • Bill Jacobson, New Year's Day #4561, 2002
    Bill Jacobson
    New Year's Day #4561, 2002
    Chromogenic print mounted on museum board
    36 x 30 in. / 91.4 x 76.2 cm.
    Edition of 7
  • Bill Jacobson, New Year's Day #4550, 2003
    Bill Jacobson
    New Year's Day #4550, 2003
    Chromogenic print mounted on museum board
    23 x 20 in. / 58.4 x 50.8 cm.
    Edition of 9
  • Bill Jacobson, New Year's Day #5074, 2003
    Bill Jacobson
    New Year's Day #5074, 2003
    Chromogenic print mounted on museum board
    36 x 30 in. / 91.4 x 76.2 cm.
    Edition of 7
  • Bill Jacobson, Place (Series) #1, 2009
    Bill Jacobson
    Place (Series) #1, 2009
    Pigment print mounted on museum board
    28 x 22 in. / 71.1 x 55.9 cm.
    Edition of 7
  • Lucas Leffler, Mudprint 01, 2018-22
    Lucas Leffler
    Mudprint 01, 2018-22
    Gelatin silver print made from organic fibres (mud) with hand-made steel-frame and museum glass
    100x70 cm.
    From an edition of 3 + 1 AP
  • Lucas Leffler, Mudprint 05, 2018-22
    Lucas Leffler
    Mudprint 05, 2018-22
    Gelatin silver print made from organic fibres (mud) with hand-made steel-frame and museum glass
    100x70 cm.
    From an edition of 3 + 1AP
  • Lucas Leffler, Mudprint 12, 2018-22
    Lucas Leffler
    Mudprint 12, 2018-22
    Gelatin silver print made from organic fibres (mud) in hand-made steel-frame and museum glass
    100 x 70 cm.
    From an edition of 3 + 1 AP
  • Lucas Leffler, Mudprint 06, 2019
    Lucas Leffler
    Mudprint 06, 2019
    Gelatin silver print made from organic fibres (mud) with hand-made steel-frame and museum glass
    27 1/2 x 39 3/8 in.
    70 x 100 cm.
    Edition of 3 + 2 AP
  • Bill Jacobson, when is a place #269, 2019
    Bill Jacobson
    when is a place #269, 2019
    Gelatin silver print mounted on museum board
    20 x 16 in. / 50.8 x 40.6 cm.
    Edition of 7
  • Jess T. Dugan, Early morning light, Boston, 2020
    Jess T. Dugan
    Early morning light, Boston, 2020
    Archival pigment print
    30 x 40 in. / 76 x 101 cm.
    Edition of 5 + 2AP
  • Lucas Leffler, Mudprint 14, 2021
    Lucas Leffler
    Mudprint 14, 2021
    Gelatin silver print made from organic fibres (mud) in hand-made steel-frame and museum glass
    27 1/2 x 39 3/8 in.
    70 x 100 cm.
    From an edition of 3 + 1 AP
  • Bill Jacobson, Song of Myself #1831, 2023
    Bill Jacobson
    Song of Myself #1831, 2023
    Pigment print mounted on museum board
    26 x 20 3/4 in. / 66 x 52.7 cm.
    Edition of 7
  • Aindreas Scholz, The Most Beautiful Anthropocene #09, 2023
    Aindreas Scholz
    The Most Beautiful Anthropocene #09, 2023
    Cyanolumen (sunlight and acidic rain) on expired RC darkroom paper with plant fragments
    8 x 10 in. / 20.32 x 25.4 cm.
  • Aindreas Scholz, The Most Beautiful Anthropocene #40, 2023
    Aindreas Scholz
    The Most Beautiful Anthropocene #40, 2023
    Cyanolumen (sunlight and acidic rain) and bioresin on expired RC darkroom paper with plant fragments
    5 x 7 in. / 12.7 x 17.8 cm.
  • Carly Ries, Arch, 2024
    Carly Ries
    Arch, 2024
    Archival pigment print
    12 x 18 in. / 30.5 x 45.7 cm.
    Edition of 5 + 2 AP
  • Carly Ries, Hover, 2024
    Carly Ries
    Hover, 2024
    Archival pigment print
    22 x 30 inches
    Edition of 5 + 2 AP
  • Carly Ries, Ocelli, 2024
    Carly Ries
    Ocelli, 2024
    Archival pigment print
    10 x 14 in. / 25.4 x 35.6 cm.
    Edition of 5 + 2 AP
  • Carly Ries, Odalisque, 2024
    Carly Ries
    Odalisque, 2024
    Archival pigment print
    22 x 30 in. / 55.9 x 76.2 cm.
    Edition of 5 + 2 AP
  • Carly Ries, Reclining Nudes, 2024
    Carly Ries
    Reclining Nudes, 2024
    Archival pigment print
    10 x 14 in. / 25.4 x 35.6 cm.
    Edition of 5 + 2 AP
  • Bill Jacobson, Song of Myself #808, 2024
    Bill Jacobson
    Song of Myself #808, 2024
    Pigment print mounted on museum board
    23 1/4 x 29 in. / 59.1 x 73.7 cm.
    Edition of 7
  • Aindreas Scholz, The Most Beautiful Anthropocene #16, 2024
    Aindreas Scholz
    The Most Beautiful Anthropocene #16, 2024
    Cyanolumen (sunlight and polluted seawater) and bioresin on expired RC darkroom paper with plant fragments
    8 x 10 in. / 20.32 x 25.4 cm.
  • Aindreas Scholz, The Most Beautiful Anthropocene #21, 2024
    Aindreas Scholz
    The Most Beautiful Anthropocene #21, 2024
    Cyanolumen (sunlight and polluted seawater) and bioresin on expired RC darkroom paper with plant fragments
    8 x 10 in. / 20.32 x 25.4 cm.
  • Aindreas Scholz, The Most Beautiful Anthropocene #51, 2024
    Aindreas Scholz
    The Most Beautiful Anthropocene #51, 2024
    Cyanolumen (sunlight and polluted seawater) on expired RC darkroom paper with plant fragments
    16 1/8 x 12 in. / 41 x 30.5 cm.
  • Carly Ries, Camerabody (011225), 2025
    Carly Ries
    Camerabody (011225), 2025
    Analog C-Print
    11 x 6 in. / 27.9 x 15.2 cm.
  • Carly Ries, Camerabody (012225a), 2025
    Carly Ries
    Camerabody (012225a), 2025
    Analog C-Print
    11 x 14 in. / 27.9 x 35.6 cm.
  • Lucas Leffler, Mudprint 11, 2025
    Lucas Leffler
    Mudprint 11, 2025
    Gelatin silver print made from organic fibres (mud) in hand-made steel-frame and museum glass
    40 x 60 cm.
    15 3/4 x 23 5/8 in.
    Edition of 4 + 1 AP
  • Lucas Leffler, Mudprint 2, 2025
    Lucas Leffler
    Mudprint 2, 2025
    Gelatin silver print made from organic fibres (mud) in hand-made steel-frame and museum glass
    40 x 60 cm.
    15 3/4 x 23 5/8 in.
    Edition of 4 + 1 AP
  • Lucas Leffler, Mudprint 21, 2025
    Lucas Leffler
    Mudprint 21, 2025
    Gelatin silver print made from organic fibres (mud) in hand-made steel-frame and museum glass
    40 x 60 cm.
    15 3/4 x 23 5/8 in.
    Edition of 4 + 1 AP
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