Available Works

  • Paul Outerbridge, Man at Travel Agency, Mexico, ca. 1950
    Paul Outerbridge
    Man at Travel Agency, Mexico, ca. 1950
    CarbroArt™ digital pigment print process by Steidl in Göttingen, 2018 on Arches 88, 300 gsm 100% cotton acid-free paper
    33 × 22.9 cm
  • Paul Outerbridge, Motel Bar, Mazatlán, Mexico, ca. 1948
    Paul Outerbridge
    Motel Bar, Mazatlán, Mexico, ca. 1948
    CarbroArt™ digital pigment print process by Steidl in Göttingen, 2018 on Arches 88, 300 gsm 100% cotton acid-free paper
    22.9 × 33 cm
  • Jess T. Dugan, Enrique & Mary-Evelyn, 2024
    Jess T. Dugan
    Enrique & Mary-Evelyn, 2024
    Archival pigment print
    30 x 40 in. / 76 x 101 cm.
    From an edition of 5 + 2AP
  • Jess T. Dugan, Oskar, 2024
    Jess T. Dugan
    Oskar, 2024
    Archival pigment print
    18 x 24 in. / 46 x 61 cm.
    From an edition of 10 + 3AP
  • Jess T. Dugan, Austin lying in the grass, 2023
    Jess T. Dugan
    Austin lying in the grass, 2023
    Archival pigment print
    30 x 40 in. / 76 x 101 cm.
    From en edition of 5 + 2AP
  • Jess T. Dugan, DeAngelo, 2023
    Jess T. Dugan
    DeAngelo, 2023
    Archival pigment print
    30 x 40 in. / 76 x 101 cm.
    18 x 24 in. / 46 x 61 cm.
    From an edition of 5 + 2AP
  • Jess T. Dugan, Elcid, 2023
    Jess T. Dugan
    Elcid, 2023
    Archival pigment print
    24 x 18 in. / 46 x 61 cm.
    From an edition of 10 + 3AP
  • Jess T. Dugan, Melissa and Donika, 2023
    Jess T. Dugan
    Melissa and Donika, 2023
    Archival pigment print
    30 x 40 in. / 76 x 101 cm.
    From en edition of 5 + 2AP
  • Jess T. Dugan, Tulips, 2023
    Jess T. Dugan
    Tulips, 2023
    Archival pigment print
    18 x 24 in. / 46 x 61 cm.
    From an edition of 10 + 3AP
  • Lucas Leffler, Steel Plates V, 2022
    Lucas Leffler
    Steel Plates V, 2022
    Silver-gelatine print oxidised steel plates, varnish
    150x100 cm
  • Jess T. Dugan, Kalven at sunset, 2021
    Jess T. Dugan
    Kalven at sunset, 2021
    Archival pigment print
    30 x 40 in. / 76 x 101 cm.
    From an edition of 5 + 2AP
  • Jess T. Dugan, Mary lying on the bed, 2021
    Jess T. Dugan
    Mary lying on the bed, 2021
    Archival pigment print
    24 x 18 in. / 46 x 61 cm.
    From an edition of 10 + 3AP
  • Lucas Leffler, Old Factory 02, 2021
    Lucas Leffler
    Old Factory 02, 2021
    Silver-gelatine print oxidised steel plates, varnish
    200x400 cm
  • Jess T. Dugan, Early morning light, Boston, 2020
    Jess T. Dugan
    Early morning light, Boston, 2020
    Archival pigment print
    30 x 40 in. / 76 x 101 cm.
    From en edition of 5 + 2AP
  • Jess T. Dugan, Shira , 2020
    Jess T. Dugan
    Shira , 2020
    Archival pigment print
    30 x 40in. / 76 x 101 cm.
    From an edition of 5 + 2AP
  • Jess T. Dugan, Zach and Oskar at sunset, 2020
    Jess T. Dugan
    Zach and Oskar at sunset, 2020
    Archival pigment print
    30 x 40 in. / 76 x 101 cm.
    From en edition of 5 + 2AP
  • Jess T. Dugan, Oskar , 2019
    Jess T. Dugan
    Oskar , 2019
    Archival pigment print
    24 x 18 in. / 61 x 46cm.
    From an edition of 10 + 2AP
  • Lucas Leffler, Mudprint 01, 2018-22
    Lucas Leffler
    Mudprint 01, 2018-22
    Gelatin silver print made from organic fibres (mud), Hand-made steel-frame and museum glass
    100x70 cm
  • Lucas Leffler, Mudprint 05, 2018-22
    Lucas Leffler
    Mudprint 05, 2018-22
    Gelatin silver print made from organic fibres (mud), Hand-made steel-frame and museum glass
    100x70 cm
  • Lucas Leffler, Mudprint 08, 2018-22
    Lucas Leffler
    Mudprint 08, 2018-22
    Gelatin silver print made from organic fibres (mud), Hand-made steel-frame and museum glass
    100x70 cm
  • Lucas Leffler, Mudprint 12, 2018-22
    Lucas Leffler
    Mudprint 12, 2018-22
    Gelatin silver print made from organic fibres (mud), Hand-made steel-frame and museum glass
    100x70 cm
  • Lucas Leffler, Mudprint 16, 2018-22
    Lucas Leffler
    Mudprint 16, 2018-22
    Gelatin silver print made from organic fibres (mud), Hand-made steel-frame and museum glass
    100x70 cm
  • Lucas Leffler, Mudprint 18, 2018-22
    Lucas Leffler
    Mudprint 18, 2018-22
    Gelatin silver print made from organic fibres (mud), Hand-made steel-frame and museum glass
    100x70 cm
  • Jess T. Dugan, Rafael (flowers), 2018
    Jess T. Dugan
    Rafael (flowers), 2018
    Archival pigment print
    30 x 40 in. / 76 x 101 cm.
    From an edition of 5 + 2AP
  • Jess T. Dugan, Alix at sunset, 2017
    Jess T. Dugan
    Alix at sunset, 2017
    Archival pigment print
    18 x 24in. / 46 x 61 cm.
    From an edition of 5 + 2AP
  • E.O. Hoppé, Watussi Boy, Nyanza, Rwanda, Africa, 1937
    E.O. Hoppé
    Watussi Boy, Nyanza, Rwanda, Africa, 1937
    Platinum palladium print, printed later
  • E.O. Hoppé, Young Man, Tory Island, Ireland, 1937
    E.O. Hoppé
    Young Man, Tory Island, Ireland, 1937
    Platinum palladium print, printed later
  • Paul Outerbridge, Persephone, 1936
    Paul Outerbridge
    Persephone, 1936
    Modern tri-colour carbon print from vintage red, blue and green separation negatives
    40.6 x 50.8 cm
  • Paul Outerbridge, Kandinsky, 1935
    Paul Outerbridge
    Kandinsky, 1935
    Modern tri-colour carbon print from vintage red, blue and green separation negatives
    50.8 x 40.6cm
  • E.O. Hoppé, Nude Study, 1934
    E.O. Hoppé
    Nude Study, 1934
    Platinum palladium print, printed later
  • E.O. Hoppé, Govetts Leap, Blue Mountains, New South Wales, Austrailia, 1930
    E.O. Hoppé
    Govetts Leap, Blue Mountains, New South Wales, Austrailia, 1930
    Vintage gelatin silver print
  • E.O. Hoppé, Courtyard, Green Hotel, Bombay, India, 1929
    E.O. Hoppé
    Courtyard, Green Hotel, Bombay, India, 1929
    Platinum palladium print, printed later
  • E.O. Hoppé, Electric Globes, UFA Film Studios, Berlin, 1929
    E.O. Hoppé
    Electric Globes, UFA Film Studios, Berlin, 1929
    Vintage gelatin silver print
  • E.O. Hoppé, View Towards Westminster, 1929
    E.O. Hoppé
    View Towards Westminster, 1929
    Platinum palladium print, printed later
  • E.O. Hoppé, Painting the Propeller, Swan Hunter & Wigham Richardson Shiptard, Tyneside, London, 1928
    E.O. Hoppé
    Painting the Propeller, Swan Hunter & Wigham Richardson Shiptard, Tyneside, London, 1928
    Vintage gelatin silver print
  • E.O. Hoppé, Tilly Losch, 1928
    E.O. Hoppé
    Tilly Losch, 1928
    Vintage gelatin silver print
    7 x 6 in.
  • E.O. Hoppé, Renée Sentenis , 1927
    E.O. Hoppé
    Renée Sentenis , 1927
    2 vintage contact prints
    5 x 4 in.
    40 x 30 cm. framed
  • E.O. Hoppé, Gluck, 1924
    E.O. Hoppé
    Gluck, 1924
    Vintage gelatin silver print
    8 x 6 in.
  • E.O. Hoppé, Hands, 1922
    E.O. Hoppé
    Hands, 1922
    Platinum palladium print, printed later
  • E.O. Hoppé, Men Playing Cards (Advertising study), 1922
    E.O. Hoppé
    Men Playing Cards (Advertising study), 1922
    Vintage gelatin silver print
  • E.O. Hoppé, Stephen Tennant, 1922
    E.O. Hoppé
    Stephen Tennant, 1922
    Platinum palladium print, printed later
  • E.O. Hoppé, Hubert Stowitts, 1920
    E.O. Hoppé
    Hubert Stowitts, 1920
    Vintage gelatin silver print
    9.5 x 5 in.
  • E.O. Hoppé, Léonide Massine in Pulcinella, 1920
    E.O. Hoppé
    Léonide Massine in Pulcinella, 1920
    Platinum palladium print, printed later
  • E.O. Hoppé, Feeding the Birds in Winter, St. James' Park, London, 1919
    E.O. Hoppé
    Feeding the Birds in Winter, St. James' Park, London, 1919
    Vintage gelatin silver print
  • E.O. Hoppé, Peter Llewelyn Davies, 1916
    E.O. Hoppé
    Peter Llewelyn Davies, 1916
    Vintage gelatin silver print
    5.5. x 4.25 in.
  • E.O. Hoppé, Vita Sackville-West, 1916
    E.O. Hoppé
    Vita Sackville-West, 1916
    Vintage gelatin silver print
    7.75 x 5.5 in.
  • E.O. Hoppé, Alan Odle, 1915
    E.O. Hoppé
    Alan Odle, 1915
    Vintage gelatin silver print
    7 x 5 in.
  • Paul Outerbridge, Self Portrait, Santa Monica, California, ca. 1955
    Paul Outerbridge
    Self Portrait, Santa Monica, California, ca. 1955
    CarbroArt™ digital pigment print process by Steidl in Göttingen, 2018 on Arches 88, 300 gsm 100% cotton acid-free paper
    22.9 × 33 cm
  • Paul Outerbridge, High Drive, Laguna Beach, California, ca. 1952
    Paul Outerbridge
    High Drive, Laguna Beach, California, ca. 1952
    CarbroArt™ digital pigment print process by Steidl in Göttingen, 2018 on Arches 88, 300 gsm 100% cotton acid-free paper
    22.9 × 33 cm
  • Paul Outerbridge, Woman with Blue Dress and Pendant Necklace, Laguna Beach, California, ca. 1952
    Paul Outerbridge
    Woman with Blue Dress and Pendant Necklace, Laguna Beach, California, ca. 1952
    CarbroArt™ digital pigment print process by Steidl in Göttingen, 2018 on Arches 88, 300 gsm 100% cotton acid-free paper
    33 × 22.9 cm
  • Paul Outerbridge, Gas Station, Mazatlán, México, ca. 1950
    Paul Outerbridge
    Gas Station, Mazatlán, México, ca. 1950
    CarbroArt™ digital pigment print process by Steidl in Göttingen, 2018 on Arches 88, 300 gsm 100% cotton acid-free paper
    22.9 × 33 cm
  • Paul Outerbridge, Carnival Carriage, México, ca. 1950
    Paul Outerbridge
    Carnival Carriage, México, ca. 1950
    CarbroArt™ digital pigment print process by Steidl in Göttingen, 2018 on Arches 88, 300 gsm 100% cotton acid-free paper
    22.9 × 33 cm
  • Paul Outerbridge, Woman with Turqoise Dress, Laguna Beach, California
    Paul Outerbridge
    Woman with Turqoise Dress, Laguna Beach, California
    CarbroArt™ digital pigment print process by Steidl in Göttingen, 2018 on Arches 88, 300 gsm 100% cotton acid-free paper
    33 × 22.9 cm
  • E.O. Hoppé, Glass, circa 1950
    E.O. Hoppé
    Glass, circa 1950
    Vintage gelatin silver print
  • Paul Outerbridge, Hotel Lobby, Mazatlán, México
    Paul Outerbridge
    Hotel Lobby, Mazatlán, México
    CarbroArt™ digital pigment print process by Steidl in Göttingen, 2018 on Arches 88, 300 gsm 100% cotton acid-free paper
    22.9 × 33 cm